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EXPLOSIONS IN THE SKY "All Of A Sudden I Miss Everyone" Reviews
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Release: 20 Feb 2007
Label: Temporary Residence
Genre: Pop
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| Harmonium |
Rating: 10.0 |
Make no mistake: this album is not for those who want a quick glimpse into the life of a singer or songwriter, it’s an album meant to help you reflect on yourself.
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| AbsolutePunk |
Rating: 9.4 |
In a matter of six songs and roughly forty-two minutes, the most refreshing collection of instrumentals is laid upon your ears. Modest, yet dynamic, All of a Sudden… is a worthy proponent to Explosions in the Sky's unembellished magnificence and mystique.
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| Entertainment Weekly |
Rating: 9.1 |
On All of a Sudden I Miss Everyone, their fourth LP (and their first since recording the score of the 2004 film Friday Night Lights), guitars, pianos, and drums build from trancelike hushes to violent peaks before collapsing back into quiet; the band runs through intricately nuanced compositions with the fervor of an inspired jam session.
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| Drowned in sound |
Rating: 8.0 |
It doesn’t break any padlocks, pick any keyholes or add any new instruments (save the isolated keys on ‘What Do You Go Home To?’), and you’ll be able to recognise the elongated loops and dots of their signature sound in an instant if you’re already a fan.
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| NME |
Rating: 7.0 |
Prog: either you love it or you fucking hate it
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| Aversion |
Rating: 6.0 |
Like any instrumental album, All of a Sudden takes a little more patience than the latest pop-bending post-hardcore buzz band. Patience, yes -- but not forgiveness. Even in its most spiraling moments -- of which EITS has many -- accessibility holds All of a Sudden together.
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| The Independent |
Rating: 6.0 |
Like Icelandic soundscapers Sigur Rós, the band have quietly but steadily built themselves the kind of secret mass audience which modern trend-watchers would have us believe is only achievable via MySpace or other internet portals. Along with Mogwai, Sigur Rós remain the most obvious comparison for EITS, whose lengthy, methodical instrumentals proceed at a sometimes achingly slow pace, without any startling changes in direction or structure.
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| StylusMagazine |
Rating: 5.0 |
Explosions in the Sky make slightly melodramatic, overly gorgeous guitar-based music with no vocals and lots of well-placed crescendos leading to crashing drums and some consonant distortion. No remorse, no ambition.
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