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EVENS "Get Evens" Reviews
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Release: 7 Nov 2006
Label: Dischord
Genre: Pop
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| PunkNews |
Rating: 9.0 |
If you like Ian MacKaye, and by that, I mean you like nearly everything he's done, and especially if you liked the Evens' first release, you will love this. Buy it. It's terrific.
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| MusicEmissions.com |
Rating: 8.0 |
Get Evens isn't much of a departure to that of their debut. The songs seem almost a little more upbeat.
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| CokeMachineGlow |
Rating: 8.0 |
Get Evens picks up where 12 Songs (2005) left off. The band's sense of dynamics and interplay has improved: Farina wisely relies less on delay effects and triggers on the traps, filling the the empty spaces of MacKaye's lone guitar by playing with rolls and double-time beats. It makes the stops in their music snap, and allows her to play with odd time signatures, such as "No Money" which opens with a 7/4 beat and crashes to a stop after a great chorus.
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| PitchFork |
Rating: 7.8 |
Get Evens is as quiet and pretty as its predecessor, but the effortless ease is gone, replaced by a sort of busy anxiety.
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| PrefixMag |
Rating: 7.5 |
While the Evens' debut was a little rough around the edges at times, those imperfections have been buffed away for Get Evens. Farina is solid as ever behind the kit and, as a welcome surprise, gets a more even (pun intended) share of the spotlight vocally. MacKaye's no slouch, either: He manages to pull enough pop hooks out of his baritone guitar to keep the album sounding fresh throughout -- a worthy accomplishment given the limitations the pair are working with.
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| StylusMagazine |
Rating: 7.5 |
Get Evens, unlike The Evens' debut, leaves us with something to look forward to: the possibility of Farina and MacKaye energizing their already bracing formula and giving us an album that'll make people forget about Fugazi reunions altogether.
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| Aversion |
Rating: 6.0 |
Ian MacKaye and Amy Farina explore their limits as songwriters, musicians and budding home-studio types on Get Evens. The duo strips down to nothing more than MacKaye's baritone guitar, Farina's drums and the duo's vocal give-and-take. In a day when punks turn to ProTools for inspiration, The Evens' minimalist recordings -- self-recorded in the confines of the Dischord House's basement -- to deliver a much-needed reminder that art isn't always about overcoming your shortcomings, but embracing them.
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