An aging yet still capable emcee collaborates with a legendary producer and architect of one of the biggest movements in hip-hop. As expected, this is hip-hop through the eyes of a living legend in KRS. At times the chemistry works. On the title track, the Teacha rebuts Nas's notorious proclamation over Marley's keys and scratches. On "Kill a Rapper," Marley plays the somber piano-man over KRS's manifesto that points out the obvious and tragic reality that if you "want to get away with murder kill a rapper."
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