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LANSING-DREIDEN "The Dividing Island" Reviews
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Release: 9 May 2006
Label: Kemado
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| AV Club |
Rating: 8.3 |
Dividing Island, cycles through 10 tracks of lightly trippy mind-music, borrowing liberally from British soundscapers like Cocteau Twins, Simple Minds, Talk Talk, and Stone Roses, while making dreamy '80s pop hits into something strange but still catchy.
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| PitchFork |
Rating: 7.7 |
Thematically, it's blurry, less exploring the nature of division than warily poking at it, careful not to say too much. But the record's hermetic quality founders against one piece of Lansing-Dreiden groupthink, which is surprisingly useful in parsing this album: "Lansing-Dreiden is a company that sees no distinction between art and commerce" (from the group's official website).
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| StylusMagazine |
Rating: 7.5 |
The band’s new album, Dividing Island, first and foremost, is only accessible in bits and not at all concise. The difference is clear right from the creaking-wood strings in the opening track, the sort of extravagance that would have been ruled out on Triangle.
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| Entertainment Weekly |
Rating: 7.5 |
Though not quite as arresting as 2003's The Incomplete Triangle, The Dividing Island is still by turns disarmingly woozy (''One for All''), sexily yacht-rocky (''A Line You Can Cross''), and hilariously pretentious (see, oh, most of the lyrics).
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| Treble |
Rating: 7.0 |
The Dividing Island, is one of the strangest sounding records I've ever heard.
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| GlideMagazine |
Rating: 5.0 |
The whole thing feels like The Alan Parsons Project drunk on screwdrivers in a gazebo on the first day of spring. If they played this album in Chicago goth club, Neo, they might attract a crowd besides the usual goombas doing shamanistic hoedowns to Siouxsie. Take a good listen, Secret Machines. This is the way to make the stoners smile.
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| Popmatters |
Rating: 4.0 |
It’s not an awful album at face value. A few songs have some catchy melodies, and you’re bound to secretly love at least one of the styles the band presents here. Catchy tunes or not, however, I can’t imagine anyone picking this up and taking it seriously, and when that’s said for a band/collective/whatever that appears to take itself very, very seriously, the album has to be considered something of a failure.
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| InsidePulse |
Rating: 4.0 |
When it's interesting, it's interesting. But when it's not, it's unbearably unforgettable.
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